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Du kan se en komplett beskrivelse of Master and Commander: The Far Side of the World under:
- Opprinnelig tittel : Master and Commander: The Far Side of the World
- Filmtittel i ditt land : Master and Commander: The Far Side of the World
- År med film : 2003
- Filmer sjanger : Adventure, Drama,
- Status for filmen : Released
- Utgivelsesdato for filmen : 2003-11-14
- Selskaper av film : Universal Pictures, Samuel Goldwyn Films, 20th Century Fox, Miramax,
- Landene film : United States of America,
- Språket i filmen : Français, Português, English,
- Filmens varighet : 138 Min
- Gjennomsnittlig stemme på film : 7
- Youtube-ID av filmen : 4wDVf5Tkc88
- Oversettelse av film : EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,UK,HE,DA,RO,FR,EL,PT,TR,HU,CS,NL,KO,BG,LV,ZH,
- Cast av film :Chris Larkin (Capt. Howard), Mark Lewis Jones (Mr. Hogg), Richard McCabe (Mr. Higgins), Alex Palmer (Nehemiah Slade), Max Pirkis (Blakeney), Patrick Gallagher (Awkward Davies), Paul Bettany (Dr. Stephen Maturin), Ousmane Thiam (Black Bill), Thierry Segall (French Captain), Tony Dolan (Mr. Lamb), Billy Boyd (Barrent Bonden), Richard Pates (Williamson), Lee Ingleby (Hollom), Cpt. of Mizzentop), Jack Randall (Boyle), Bryan Dick (Joseph Nagle), Joseph Morgan (William Warley, Max Benitz (Calamy), William Mannering (Faster Doudle), Ian Mercer (Mr. Hollar), George Innes (Joe Plaice), James D'Arcy (1st Lt. Tom Pullings), Russell Crowe (Captain Jack Aubrey), Edward Woodall (2nd Lt. William Mowett), David Threlfall (Preserved Killick), Robert Pugh (Mr. Allen), John DeSantis (Padeen)
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Master and Commander: The Far Side of the World er den fremste film levert av Universal Pictures, Samuel Goldwyn Films, 20th Century Fox, Miramax, som har en beskrivelse av filmen er "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". Filmen ble produsert med utmerket grafisk kvalitet, beste lydkvalitet og beste hovedrolle skuespillere.
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I/O Supervisor : Brian Cuscino, Editor : Lee Smith, Loader : Sal Alvarez, Lighting Artist : Michael Sean Foley, Makeup Artist : Robin Beauchesne, Supervising ADR Editor : John A. Larsen, Production Accountant : Jen Hutchinson, First Assistant Sound Editor : Linda Yeaney, Executive Producer : Alan B. Curtiss, Set Dresser : Giovanni Bianchini, Hairstylist : Edith I. Amezcua, Seamstress : Marcelina Barraza, Line Producer : Bridget Bourke, Aerial Director of Photography : Phil Pastuhov, Negative Cutter : Gary Burritt, ADR Voice Casting : Louis Elman, Tailor : Rosa Isela Atondo, Camera Operator : Matthew J. Siegel, Digital Compositors : Kathleen Beeler, Unit Publicist : Sandy O'Neill, Assistant Art Director : Kevin Ishioka, Assistant Sound Editor : Andrew Bock, Production Sound Mixer : Art Rochester, Quality Control Supervisor : Timothy Michael Cairns, Local Casting : Kazimierz Suwala, Key Makeup Artist : Kate Biscoe, Visual Effects Editor : Tom Barrett, Art Direction : Héctor Romero, Casting : Mary Selway, Foley : Gary A. Hecker, Camera Operator : Guillermo Rosas, Production Illustrator : Daren Dochterman, Set Medic : Jeffrey D. Stevens, Novel : Patrick O'Brian, Leadman : Christopher Neely, Property Master : Doug Harlocker, Transportation Captain : Wayne Stone, Original Music Composer : Iva Davies, Digital Intermediate : Hilda Saffari, Storyboard : David Russell, Transportation Coordinator : Russell McEntyre, Stunts : Joey Anaya, Telecine Colorist : Eric Putz, Foley : Nancy Parker, Co-Producer : Harvey Weinstein, Unit Production Manager : Todd Arnow, Set Dressing Supervisor : Jennifer Lewicki, Co-Producer : Todd Arnow, Screenplay : John Collee, Script Supervisor : Wilma Garscadden-Gahret, Location Manager : Michael John Meehan, Hair Department Head : Yolanda Toussieng, Gaffer : David Lee, Production Office Coordinator : Derek Jan Vermaas, Construction Foreman : James Arrigo, Steadicam Operator : Harry K. Garvin, Script Supervisor : Brenda Lopez, Armorer : Steve Auvenshine, Dolby Consultant : Andy Potvin, Stunt Coordinator : Doug Coleman, Sequence Supervisor : Jay Cooper, Original Music Composer : Christopher Gordon, Stand In : David Oliver, Original Music Composer : Richard Tognetti, Visual Effects Producer : Julia Frey, Production Design : William Sandell, Additional Sound Re-Recording Mixer : James Bolt, Studio Teachers : Judith M. Brown, Lead Animator : Michael Hemschoot, Propmaker : Bobby Mara, Visual Effects Producer : Jeff Werner, Post-Production Manager : Patrick Esposito, Layout : Dani Morrow, Boom Operator : Jeffrey A. Humphreys, Camera Operator : Jamie Barber, Still Photographer : Stephen Vaughan, Visual Effects Supervisor : Stefen Fangmeier, Set Costumer : Javier Arrieta, Visual Effects Designer : Robert Stromberg, Sound Effects Editor : Michael W. Mitchell, Set Designer : Mark Hitchler, Makeup Effects : Gabriel De Cunto, Rigging Gaffer : Stephen Johnstone, Camera Operator : George Billinger III, Set Designer : Nick Navarro, Craft Service : Orlando Chongo, Set Production Assistant : Heather Anderson, Pilot : Ivor Shier, Animal Wrangler : Jesus Chavez, First Assistant Director : Alan B. Curtiss, Visual Effects Editor : Kosta Saric, Lighting Technician : Derick Pritchard, Matchmove Supervisor : Talmage Watson, Executive Visual Effects Producer : Blondel Aidoo, Director : Peter Weir, Electrician : Willie E. Dawkins, Director of Photography : Russell Boyd, Construction Coordinator : Gary Deaton, Technical Supervisor : Brian Gee, Assistant Property Master : Richard F. Anderson, Marine Coordinator : Rick Hicks, Supervising ADR Editor : R.J. Kizer, Studio Teachers : Maxine Arbarbara, Art Department Coordinator : Gerald Lehtola, Color Timer : Jim Passon, Visual Effects Producer : Stephanie Hornish, Casting : Fiona Weir, Standby Painter : Anthony Gaudio, Set Designer : Bill Hiney, Translator : Quincy Perkins, Thanks : Christopher Terrill, ADR Editor : Laura Graham, Best Boy Electric : Rick Maddux, Utility Stunts : Mitch Toles, Co-Producer : Bob Weinstein, Set Decoration : Robert Gould, Art Direction : Mark W. Mansbridge, Costume Design : Wendy Stites, Sound Re-Recording Mixer : Paul Massey, Art Direction : Marco Niro, First Assistant Camera : Robert Hill, Dialect Coach : Judy Dickerson, Sound Recordist : Tim Gomillion, Co-Producer : Meyer Gottlieb, Researcher : Brice Criswell, Casting Associate : Nicole Hilliard-Forde, Music Editor : Simon Leadley, Producer : Peter Weir, Production Coordinator : Andy Foster, Art Direction : Bruce Crone, Projection : Larry Hoki, Producer : Duncan Henderson, Scoring Mixer : Robert Fernandez, Post Production Supervisor : Jeffrey Harlacker, Rigging Grip : Oscar Gomez, CG Animator : Yuichiro Yamashita, Visual Effects Coordinator : Kimberly Adams, Dialogue Editor : Hugo Weng, Unit Manager : Rafael Cuervo, Screenplay : Peter Weir, Second Assistant Director : David M. Bernstein, Video Assist Operator : Adam Barth, Sound Re-Recording Mixer : Doug Hemphill, Producer : Samuel Goldwyn Jr., Ager/Dyer : Julia Gombert, First Assistant Editor : John Lee, Visual Effects Supervisor : Mitchell S. Drain, Post Production Assistant : Sassica Francis-Bruce, Camera Operator : Don Reddy, Assistant Production Coordinator : Daniel A. Mondschain, Visual Effects Supervisor : Pablo Helman, Driver : Tom Gilhooley, Stunt Coordinator : Daniel W. Barringer, Key Grip : Chris Centrella, Grip : Raúl Cortés, Sound Designer : Richard King, Visual Effects Producer : Helen Elswit, ADR Editor : Susan Dawes, Camera Operator : Martha Susana Ramos, Special Effects Coordinator : Daniel Sudick, Makeup Department Head : Edouard F. Henriques, Key Costumer : Mary C. Lane, Set Designer : Carlos Benassini, Musician : Iva Davies, Costume Supervisor : Dawn Y. Line, Dolly Grip : Brian Rosso, Digital Effects Supervisor : David Ebner, Set Designer : Manuel Martínez, 3D Supervisor : Christopher Bonnstetter
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Tags: navy, napoleonic wars, naturalist, frigate, self surgery, sea battle, weevil, 19th century, galapagos islands,